2006
01 21
From: lightwithin.com/SomaEnergetics
Photos by From: powerofharmony.tripod.com
What Are The Ancient Solfeggio Frequencies?
These
original sound frequencies were apparently used in Ancient Gregorian Chants, such as the great hymn to St. John the Baptist,
along with others that church authorities say were lost centuries ago. The chants and their special tones were believed to
impart tremendous spiritual blessings when sung in harmony during religious masses. These powerful frequencies were rediscovered
by Dr. Joseph Puleo as described in the book Healing Codes for the Biological Apocalypse by Dr. Leonard Horowitz. I give honor to both of these gentleman for the part they’ve played in helping return these lost frequencies back
to humanity.
The Six Solfeggio Frequencies include:
UT – 396 Hz – Liberating Guilt and Fear
RE – 417 Hz
– Undoing Situations and Facilitating Change
MI – 528 Hz – Transformation and Miracles
(DNA Repair)
FA – 639 Hz – Connecting/Relationships
SOL – 741
Hz – Awakening Intuition
LA – 852 Hz – Returning to Spiritual Order
For example, the third note, frequency 528, relates to the note MI on the scale and derives from the phrase "MI-ra
gestorum" in Latin meaning "miracle." Stunningly, this is the exact frequency used by genetic biochemists to
repair broken DNA – the genetic blueprint upon which life is based!
A Little History
At the turn of the century the awareness of DNA entered the collective consciousness of the world. We have incarnated into
this human experience as divine beings with a blueprint, a set of instructions. We know that a very small percentage (3%)
of those instructions make up our physiology.
Carl Sagan writes that most of our genetic information (about
97%) is unused DNA. He refers to this as "genetic gibberish." Is it possible that most of who we are still lies
dormant as our human potential?
In the old paradigm of religion, "potential" remained a mystery to the human
mind, therefore we coined a mystical term called "SPIRIT." "Spirit" was something that was detached from
who we were, something we didn’t have and could only be gained through the systems of most religions.
The old paradigm and its premise stated that we began as biology in the womb of our mothers. Telliard deChardin tells us
that we are not a human being trying to attain a spiritual experience, but, rather, we are spiritual beings having
a human experience. This shift in perception causes a tremendous difference in the way we perceive ourselves in this
third/fourth time-space continuum.
Being a student of "A Course In Miracles" in the late
80’s, I was faced with a dichotomy in the idea that we are not a body. I never understood this statement fully until
I read a quotation by Albert Einstein which stated: "Concerning matter, we have been all wrong. What we have
called matter is energy, whose vibration has been so lowered as to be perceptible to the senses. There is no matter."
I believe what is being stated is that at the deepest level we are not separate, as a body, as a spirit, as a soul —
we are just energy-beings. This is the level of consciousness being opened to us from which a new paradigm is emerging for
the purpose of healing all separation.
The popular term, "The Divine, is in me"- makes "me"
separate from the Divine. May I suggest a shift in the saying to: "The Divine, AS me" to remove the separation.
As we move from genetics and concepts like Soul, "Soul Mates" and "Soul work," we move beyond physical
diagnosis, into a new field of quantum physics. In this new field, where consciousness is seen as a unified field where everything
is everything else, (T.O.E. Theory - The Theory of Everything) —there are no boundaries. There is no "this"
or "that;" no you or me. It is a pure field of awareness – consciousness. I solved the dichotomy about "we
are not our body" by changing my perception of genetics to energetics - realizing that we are not meant to ignore our
physiology, but recognize the body as energy, vibrating at a very dense frequency.
Repairing DNA
I was first introduced to DNA in 1988 when I was going through a transitional period, during which
I felt that I had come to the end of everything that I believed. A tape was given to me of a gentleman speaking in an accent,
(which I thought at the time, was rather boring), and I didn’t understand what he was talking about. Then all of a sudden,
as I was ready to turn it off, he said: "Quantum physics has found that there is no empty space in the human
cell, but it is a teeming, electric-magnetic field of possibility or potential." That’s all he said!
But whatever frequency was contained in those words, RESONATED something inside the CORE of my BEING — and
I had a KNOWING in me that the NOTHING I thought I was looking at was the EVERYTHING. Much like in Zen, and the idea of becoming
"as an empty bowl." Eastern Religions (including the Bible) refer to it as the VOID – The Nothing that is
EVERYTHING – The Womb of Creation. I knew that I was experiencing a re-birth! The person on that tape was Dr. Deepak
Chopra.
I had never heard of Deepak Chopra in 1988, as he was just coming on the scene about that time.
I credit him for a very important transition in my life, just from the statement he made on that tape. Today, in retrospect,
I would call my response to that statement a "cellular memory experience." We know that intelligence is stored within
the cells of the body, and when the right resonance comes and releases that information to become inherent information or
inherent KNOWLEDGE – that comes from the true Self. That is why so many of us seem to jump form one stimuli to another
looking for what will resonate in us.
The work being done today with energy at the cellular level really
excites me, since I had been very interested in DNA before it became a household word. In fact, I think it took me two years
just to learn how to pronounce it (deoxyribonucleic acid did not roll off my tongue quickly). But, I was determined to understand
this tremendously powerful energetic blueprint for life, as we know it, at the cellular level on this planet. DNA became a
part of the collective consciousness when CNN produced a special on the Genome Project in 2000.
As I pursued
my passion for the study of DNA, I attended a workshop by Dr. Robert Girard from California on DNA Activation. His work focused
on using certain sounds and frequencies to activate DNA and I started doing DNA Activation workshops. Through those workshops,
an article was given to me that reported how biochemists are using the frequency 528Hz to repair human DNA. The article stated
that it was a "C." When I read that I thought, "All I would need to do is go to a piano or other instrument
and play a "C" and then, in the DNA workshops we would be able to repair DNA."
Well, it
wasn’t that simple, because I discovered that the regular "C" that we all know of in this culture (which is
from the diatonic scale of do, re, mi, fa, so, la, ti, do) was not the 528 Hz frequency "C", as described in the
article. Instead, I discovered that a regular "C" vibrates to a frequency of only 512 Hz, and that the "C"
of 528 Hz used in DNA repair had been a part of an ancient scale called the Solfeggio Scale.
Moreover,
the difference in the scales existed because of different tuning methods that were utilized in ancient times, vs. those in
general use today. Later, we will explore that difference between how we create music today vs. how we used to create it,
and how that simple change has made all of the difference in the world.
How I found out about the Ancient
Solfeggio Frequencies
I found this ancient scale to be part of a 6-tone scale sequence of electro-magnetic
frequencies called the Original Solfeggio Scale through the book "The Healing Codes of Biological Apocalypse" by
Dr. Leonard Horowitz. These particular frequencies were rediscovered by Dr. Joseph Puleo, who received them in a wonderful
experience that some would suggest was mystical.
These frequencies are not something new, but they are something
very old.
I shared the information about these frequencies with a musician friend who had a studio in her home. After
reviewing the information, she decided that she would like to experiment with these frequencies in the form of meditation
music. She was also in touch with Jonathan Goldman (author of the book, "Healing Sounds") and he knew of these frequencies,
and was using them in some of his music such as "The Lost Chord" CD. Aryiana requested that he have the tuning forks
made for her to research the frequencies. I asked if she could also have a set made for me.
After I received
the tuning forks and began talking about them around the country, I noticed that people were resonating with the information
about these powerful frequencies. It felt as though something was going on in a much larger picture. We were connecting energetically
to this information, and yet I didn’t know what I was going to do with the tuning forks. Then people began to ask if
I could use the tuning forks on them. From those experiences, and with information I had gathered, a method and technique
began to develop. I called the technique SomaEnergetics TM, which is designed to utilize the optimum energy of the Solfeggio
frequencies using tuning forks. Soma, meaning "body" in the Greek, combines the wholistic idea of the body
as an energy field - SomaEnergetics TM.
When starting these first tunings, the main frequency that I knew
the most about was 528 Hz – that biochemists are using for DNA repair. I realized that the right side of the body is
controlled by the left-brain, and the left side by the right brain and that these correspond with our inner male and female
energies. As I took the fork down each side of the body, I could get in touch with the dominate ancestral DNA that comes thru
the Mother’s side or Father’s side of the chromosomes. I would many times get a tremendous imbalance in the sound
between the two sides. The purpose of energy work, as many of you know, is to attain balance.
For example, if
everything is in balance, such as the ph level, the physical body can heal more naturally. It’s the same way in our
energy bodies. If we can find that energy balance, that equilibrium, where everything aligns or everything comes into synchronization
into the rhythm of the dance of life – then healing becomes the natural state. It’s nothing supernatural, or miraculous.
I think a lot of spiritual texts have referred to this idea when they describe, "going home to heaven." Heaven,
to me, is the complete synchronization with higher frequencies and vibrations of creation being totally entrained. In other
words, being in a state of at-one-ment.
When I would continue to do the technique, the sound would begin
to even out between the male and female sides of the body, and the client would indicate they were "feeling" a shift.
As that would occur, I was totally amazed, and asked myself, "What is happening here?" Although I’ve been
a speaker of spiritual things for over 40 years, I can’t tell you that I’ve been the most intuitive person in
the world. All of a sudden I started having certain feelings about what to do with the forks. I found that at some point in
working with the client, I stopped "doing" the tuning forks (being the initiator of the technique), and they started
"doing me" – seeming to direct the movement of the Forks! After hundreds of tunings and positive testimonies,
I have learned to trust the Ancient Solfeggio Scale frequencies in the form of Tuning Forks as a legitimate modality.
Energy and Relationship
Everything is relationship. I remember Dr. Fred Wolf, who is a physicist
stating on a tape "Everything is consciousness." He further noted, "When you are observing an object, on some
level the object is observing you." As I listened to that statement, I thought it was strange. I then realized that because
something doesn’t have a human consciousness, as I do, that doesn’t mean it doesn’t have it’s own
consciousness. Apparently, observing something changes it on some level – that the observer, and the observed are one.
I treat the Solfeggio tuning forks as a conscious "entity." They are energy, they’re vibration, they’re
frequency – the client is vibration, frequency and energy – I am vibration, frequency and energy. All of that
coming together begins to produce a synergetic experience that takes place on many levels. The energy bodies that we focus
on using the Solfeggio Frequencies are the physical, the etheric, the mental/emotional, and the astral.
Sound, Vibration and Form
For more than 200 years, researchers have been validating the connections
of Sound and Vibrations on physical form. The first to make that connection was German scientist Ernst Chladni, who, in 1787,
detailed his research in his book "Discoveries Concerning the Theory of Music." In that pioneering work, he explained
ways to make sound waves generate visible structures. He detailed how a violin bow, drawn at a right angle across a flat plate
covered with sand, produces patterns and shapes.
Today, those patterns and shapes are called Chaldni figures.
(Coincidentally, Chaldni died in 1829, the same year as Beethoven. Mozart, a Free Mason, heavily influenced Beethoven about
the mathematics of music, and likely influenced Chaldni as well).1
In 1815, Mathematician
Nathaniel Bowditch followed up on Chaldi’s discoveries. He concluded that the conditions for these designs to arise
were because the frequencies, or oscillations per second, were in whole number ratios to each other—such as 1:1, 1:2,
1:3 and so on.2
The study of wave phenomena, the ability of sound to organize and repattern
matter, is called Cymatics.
According to John Beaulieu, in Music and Sound in the Healing
Arts, "Form is the more elusive component of sound. Sound-forms can be seen by subjecting mediums such as sand,
water, or clay to a continuous sound vibration." The following pictures taken by Dr. Hans Jenny are sound-forms. They
were obtained by placing various mediums on a steel plate with a crystal sound oscillator attached to the bottom. The Oscillator
creates a pulse, which vibrates the steel plate. The forms on the plate are examples of sound organizing matter." Jenny
also "noticed that when the vowels of ancient languages like Hebrew and Sanskrit were pronounced, the sand took the shape
of the written symbols for those vowels. "Modern languages, including English, failed to generate those patterns."
"Space
is not empty. It is full, a plenum as opposed to a vacuum, and is the ground for the existence of everything, including ourselves.
The universe is not separate from this cosmic sea of energy." David Bohm
Jenny concluded that were examples of cymatic elements everywhere—"vibrations, oscillations, pulses,
wave motions, pendulum motions, rhythmic courses of events, serial sequences, and their effects and actions"—and
they effected everything including biological evolution.
The evidence convincingly demonstrated that all natural
phenomena were ultimately dependent on, if not entirely determined by the frequencies of vibration. He argued that physical
healing could be aided or hindered by tones.
Different frequencies influenced genes, cells, and various structures
in the body, he claimed.
Vibration of Music of the Spheres: "Every cell pulsates, reflects and
interacts with acoustic oscillations of the medium. Even the earth and sun vibrate in unison based on a main rhythm of 160
minutes. Each musical note is therefore united to non-audible notes of higher octaves, and each symphony to other symphonies
that we do not hear, and although they make our cells oscillate and possibly resonate. Even DNA has it’s own melody.
The musical nature of nuclear matter from atoms to galaxies is now recognized by official science."3
In " Molecules of Emotion," by Candice Pert, Ph.D., she writes, "…
basically, receptors function as scanners (sensing molecules, on a cellular level). They cluster in cellular membranes, waiting
for the right ligand (much smaller molecules than receptors), to come dancing along (diffusing) through the fluid surrounding
each cell, and mount them – binding with them and (tickling ) them to turn them on and get them motivated to vibrate
a message into the cell. Binding of the ligand to the receptor is likened to two voices, striking the same note and producing
a vibration that rings a doorbell to open the doorway to the cell."
Poet Cathie Guzetta summarized this science
best when she wrote:
"The forms of snowflakes and faces of flowers may take on their shape because
they are responding to some sound in nature. Likewise, it is possible that crystals, plants, and human beings may be, in some
way, music that has taken on visible form."
How Did The Solfeggio Frequencies Get Lost?
I discovered that these powerful frequencies had been given to the church many years ago for a very
spiritual purpose. This was back when the church was a wonderful place for the people in the villages to gather together.
The church served as a social, political, and spiritual place. People came to Mass, which at that time, was done in Latin
(until Vatican II came along). When people sing in Latin or musical tones, it is very powerful, because it gets through all
of the limited thought forms, and into deeper levels of the subconscious – accessing insights beyond belief systems.
As described above by Dr. Candice Pert, PhD, energy and vibration go all the way to the molecular level.
She states that we have 70 different receptors on the molecules and when vibration and frequency reaches that far they begin
to vibrate. Moreover, she observed, "as they begin to vibrate they sort of touch each other, and tickle each other, and
they play and mount each other." It’s this whole energetic dance ritual, at the cellular level, that opens
the chromosomes and exposes the DNA to the frequencies. When we do toning, drumming, chanting, or tuning forks – it
can be a way to direct energy for transformational purposes.
Vibration and sound can be used, like most
things, either with positive intention or negative intention. Used negatively, it’s nothing more than control and manipulation.
Most of the world has been built upon control and manipulation by the way we communicate thru language.
A lot
of different texts, such as the Bible, talk about the importance of just making Sound—whether it’s chants, drumming,
or speaking in tongues (such as the charismatic fundamentalists do), they are just different ways that people are accessing
deeper levels of themselves. I suggest to you that the Solfeggio Tuning Forks are an even purer ways of doing that with positive
intention.
When Dr. Joseph Puleo was researching the tones, he was directed to a Monsignor at a university
in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation, the
"Can
you decipher Mediaeval Latin?’
‘Absolutely!’
‘And you know the musical scale and everything?’
‘Absolutely!’
‘Well then, could you tell me what ‘UT - queant laxis’ means?’
After a brief pause, the Monsignor quipped, ‘It’s none of your business’
Then he hung up."1
Additionally, as Dr. Puleo researched the tones further, he came across a book on Gregorian chants by
Professor Emeritus Willi Apel who "argued that the chants being used today were totally incorrect, and undermined the
spirit of the Catholic faith."1 Moreover, Professor Apel reported that "one-hundred fifty-two chants
were apparently missing. The Catholic Church presumably "lost" these original chants. The chants were based on the
ancient original scale of six musical notes called the Solfeggio."1 Trust me, nothing is lost, it’s
just neatly put away; however, they cannot hide from the masses what is energetically placed within the Soul.
According to Professor Willi Apel,1 "The orgin of what is now called Solfeggio...arose from a Mediaeval
hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first
six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the
first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective
notes and as each syllable ended in a vowel, they were found to be peculiatly adapted for vocal use. Hence "Ut"
was artificially replaced by "Do." Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie,
a French musician of the 17th century added "Si" for the seventh note of the scale, in order to complete the series."
Further research states that, "Pope Johannes later became a saint - Saint Iohannes - and then the scale
was changed. The seventh note "Si" was added from his name. "Si" later became "Ti." These changes
significantly altered the frequencies sung by the masses. The alterations also weakened the spiritual impact of the
Church’s hymns. Because the music held mathmatic resonance, frequencies capable of spiritually inspiring mankind to
be more "Godlike," the changes affected alterations in conceptual thought as well, further distancing humanity from
God." In other words, whenever you sing a Psalm, it is music to the ears. But it was originally intended to be music
for the soul as well or the "secret ear." Thus by changing the notes, high matrices of thought and to a great extent
well being, was squelched. Now it is time to recover these missing notes."1
I’d
heard of do, re, me, fa, so, la, ti, do. I particularly responded to it whenever I hear that song by Julie Andrews from "The
Sound of Music." I literally have a "brain cell firing" as it is engraved into my brain, and I see her coming
over the mountain in the movie. I didn’t realize this was actually a second, modified scale. The original Solfeggio
scale was actually: UT, RE, MI, FA, SO, LA.
Looking at the definitions of each of the original syllables,
using hidden entries from Webster’s Dictionary and the Original Greek Apocrypha, I have determined that these original
frequencies can be used for: Turning grief to joy, helping the person connect with their Source to bring forth miracles, DNA
repair, connecting with spiritual family, solving situations & becoming more intuitive, and, finally, returning to spiritual
order.2 Through music these tones can assist all the channels in staying open and keep the life force (the Chi)
literally flowing thru the Chakra System quite freely. Is this is what the six electro-magnetic frequencies were to accomplish
that were put into "lost" hymns and Gregorian chants?
I think we are living in a tremendously
wonderful time, and rather than seeing the glass as "half empty," I see it as "half full." Rather than
accepting "CNN’s perspective" of the world view, it’s about finding perspective thru the vision of your
own heart. It is about change and transformation of mankind to the next level of evolution. We, as Spiritual Light Workers,
have made ourselves accessible at this time, by Divine Appointment, to be here to help those in humanity who choose (it’s
all based upon irrevocable choice) to stay, or to go. Those who have chosen to stay will come into our lives, and we have
already agreed to assist them.
It’s all about assisting other people. It’s not to be their
"Healer," but to assist them in knowing who they are and connecting with their true Source. It is about providing
an atmosphere of non-judgement, a Sacred Space, for the purpose of healing themselves. We should be continuously teaching
while assisting people. The old paradigm teaches us to keep the information among the professionals. The new paradigm is to
share the information, and empower the client. Everyone you work with—whether it’s Reiki, Massage, Tuning Forks
or other modalities you are using, you should feel that you’ve empowered that person, so they can extend this information
to someone else. Healing has become about our evolution by reconnecting our additional strands of DNA. Healing is also about
assisting the person in restoring themselves to a state of "Spiritual Wholeness."
1 "Healing
Codes for the Biological Apocalypse" by Dr. Leonard Horowitz, p. 345-6
2 Ibid.
3 From "Man’s
Cosmic Game" by Guiliana Conforto
The 3, 6, and 9
As we look at the six
original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3,6, &
9. Nicola Tesla tells us, and I quote: "If you only knew the magnificence of the 3, 6 and 9, then you would have a key
to the universe."
John Keely, an expert in electromagnetic technologies, wrote that the vibrations
of "thirds, sixths, and ninths, were extraordinarily powerful." In fact, he proved the "vibratory antagonistic
thirds was thousands of times more forceful in separating hydrogen from oxygen in water than heat." In his "Formula
of Aqueous Disintegration" he wrote that, "molecular dissociation or disintegration of both simple and compound
elements, whether gaseous or solid, a stream of vibratory antagonistic thirds, sixths, or ninths, on their chord mass will
compel progressive subdivisions. In the disintegration of water the instrument is set on thirds, sixths, and ninths, to get
the best effects."
In the book of Genesis it states that there are six days of creation. Yet many talk
about the creation week – or seven days, and the Christian Bible views the number seven as the number of completeness.
Why Seven? It is due to the influence of the Near Eastern culture at the time in which Jesus lived, when it was believed that
there were only seven planets.
When wrestling with adding a 7th number, I was mystically drawn to an article
in Discover Magazine. In his newest book, Just Six Numbers, Rees argues that six numbers underlie the fundamental
physical properties of the universe, and that each is the precise value needed to permit life to flourish. In laying out this
premise, he joins a long, intellectually daring line of cosmologists and astrophysicists (not to mention philosophers, theologians,
and logicians) stretching all the way back to Galileo, who presume to ask: Why are we here? As Rees puts it, "These
six numbers constitute a recipe for the universe." He adds that if any one of the numbers were different
"even to the tiniest degree, there would be no stars, no complex elements, no life." (From Discovery Magazine).
As some authors have speculated, could these tones have played a role in the miraculous shattering of Jericho’s great
wall in six days before falling on the seventh day?
Some scientists are now stating that if we have been
created, we most likely would have been sung into existence. Is it possible that the six days of creation
mentioned in Genesis represent six fundamental frequencies that underlie the universe? Religious scholars believe
both events occurred as a result of sounds being spoken or played.
Other scientists, including the geniuses
Nikola Tesla, Raymond Rife, as well as Mozart, Haydn, Beethoven, and Chladni, all must have known about, and used the concept
of, the inherent power of threes, sixes, and nines. So we are dealing with three powerful numbers: 3-6-9. Everyone of the
six Solfeggio Tuning Forks all add up, individually to the Pythagorean scheme of 3-6-9. In fact, because there are two sets
of 3-6-9 (anagrams) in the solfeggio, they are even more powerful as these combinations serve as "portals" to other
dimensions!
Just Intonation – 12 Tone Equal Temperament
As I observed
earlier, another reason these Ancient Solfeggio frequencies became "lost" was because of the change in tuning practices
throughout history. The standard tuning method for the past 200 years is quite different from the tuning practices dating
from antiquity through about the 16th century A.D. These ancient tuning practices used a system of tuning known as Just
Intonation. The tuning practice adopted for western cultures during the 16th, 17th, and 18th centuries,
and used today, is known as Twelve-Tone Equal Temperament. The explanation of the fundamentals of these tuning
systems is far too complex for this agenda, but the following quote from a book written by David B. Doty, titled The Just
Intonation Primer, should give an idea of the confinement that music has been relegated to. "Essentially,
music has been placed in a box of limitations"— as the result of the rigidity imposed by the Twelve-Tone
Equal Temperament tuning standards in use today.
"Although it is difficult to describe the
special qualities of Just (Intonation) intervals to those who have never heard them, words such as clarity, purity,
smoothness, and stability come readily to mind. The supposedly consonant intervals and chords of (12-Tone) Equal Temperament,
which deviate from simple rations to varying degrees, sound rough, restless, or muddy in comparison."
Just Intonation can be found in many of the great Fathers of Classical Music – Beethoven and Hyden, just to name a
few. They did not use this 12-tone temperament and I think that is why we have a richer experience when we hear music that
was composed several hundred years ago. Classical Music based on Just Intonation gives us a different rapport with time and
space and brings us into our higher chakras.
Native American chanting is many times based on Just Intonation. The chanting
seems to sound monotone, but we are finding out that within the monotone sound is multi-dimensional harmonics.
How these different types of tones affect our health
Consequently, since all music in our contemporary
world (from commercials, to modern hymns and symphonies) has been composed utilizing the 12-Tone Equal Temperament Scale,
they all have vibrational limits. As a result, vibrational frequency of the tones of modern music can create situations such
as "boxed-in thinking," stuffed and suppressed emotions; and fear-based " lack" consciousness—all
of which then tend to manifest into physical symptoms of "dis-ease."
This is in contrast to music
created from the Ancient Solfeggio Scale, which stimulates the vibration of expanded creativity, easier problem solving and
holistic health.
Again, it should be noted that although there are contemporary notes that approximate the
Solfeggio tones, they are not the same frequencies as the ancient tones. Example: The Solfeggio tone, Mi. vibrates to 528
Hz. The closest, comparable, contemporary tone is C, above Middle C, which vibrates at 512 Hz. Our research
indicates that the vibrational frequencies contained in the Solfeggio tones hold these original healing potentials.
1 - Professor Apel’s and Dr. Puleo’s remarks as reported in "Healing Codes for the Biological Apocalypse" by Dr. Leonard Horowitz. Pages 58-61
2- Hidden Entry Meanings from the book, "Healing Codes for the Biological
Apocalypse" by Dr. Leonard Horowitz. Pgs. 166-67
Transformational Tuning Forks and CD's based on the ancient Solfeggio Frequencies.
Download Printable version of the full booklet: Forgotten In Time: The Ancient Solfeggio Scale (.pdf 233kb)
Other Resources:
John Beaulieu, "Music and Sound in the Healing
Arts." Station Hill Press, 1987 Giuliana Conforto, "Man’s Cosmic Game," Edizioni Nowsis, 1998
David B. Doty, "Just Intonation Primer" Jonathan Goldman, "Healing Sounds: The Power of Harmonics,"
Element Books, 1992 Leonard Horowitz and Joseph Puleo, "Healing Codes for the Biological Apocalypse," Tetrahedron
Publishing Group, 1999 Candice Pert, PhD, "Molecules of Emotion" Michael Talbot, "The Holographic
Universe" Dr. Rees, "Just Six Numbers"
Article from: http://www.lightwithin.com/SomaEnergetics/2About_Solfeggio.htm
Related: Do Not Offend Water - It Remembers Every Word You Say
Evolution linked to Spiritual Renaissance: DNA Called “Antennae to God”
The Amazing Holographic Universe
Water Balancing Symbol Experiment
The Infrared Frequencies of DNA Bases, as Science and Art
DeoxyriboNucleic Acid (DNA)
----------------------------------------------------------------------------------------------------------------------------------------------http://somaenergetics.com/SomaEnerge...requencies.htm
Before Tuning Session
After Tuning Session
The pictures are taken using Kirlian Photography and are compliments of Laura
Kaye!
This is the solution to our equation and we have to start understanding those dynamics as soon possible.
